"Sinbad and the vizier of Marabia, followed by evil magician Koura, seek the three golden tablets that can gain them access to the ancient temple of the Oracle of All Knowledge."
Tonight it was family movie night with an Appendix 'F' for film classic with the Ray Harryhausen & it has the 1973 charm as well as the quality that we've come to expect from a Harryhausen production. " The Golden Voyage of Sinbad" is a 1973 British fantasy film directed by Gordon Hessler and featuring stop motion effects by Ray Harryhausen. It is the second of three Sinbad films released by Columbia Pictures, the others being The 7th Voyage of Sinbad (1958) and Sinbad and the Eye of the Tiger (1977). The film stars John Phillip Law, Tom Baker, Takis Emmanuel and Caroline Munro. It won the first Saturn Award for Best Fantasy Film." all of this comes as no surprise to any fan of Producer Charles Schneer work. All of the classic Sinbad film elements are at work for "The Golden Voyage of Sinbad". The mysterious plot, the mad ravings of Tom Baker's as Prince Koura the sorercer in league with the forces of darkness. The fantastic stop motion animation of Ray Harryhausen plus a top notch cast round out this fantasy classic.
Watching "The Golden Voyage of Sinbad" is like going back in time for me. Waiting for the Saturday movie on New York channel '11' outta New York & hoping that there wasn't a delay because of some September storm. " The Golden Voyage of Sinbad" takes me straight back to B/X Dungeons & Dragons or original Dungeons & Dragons!
All of the classic Dungeons & Dragons Sword & Sorcery elements are in this film:
- The mysterious quest to unknown & dangerous lands with the journey to the lost pcontinent of Lemuria.
- The dangerous quest for the party & the boat load of NPC's.
- Dangerous monsters at every turn due to the stop motion work of Ray Harryhausen
- An easily adaptable plot for Dungeons & Dragons along with several NPC's that could easily be dealt with your favorite edition of Dungeons & Dragon's edition.
- A continually fueled plot perfect for PC's to stumble into the middle of it.
- A country fragment of the lost continent of Lemuria that will still exist by the time the film is over to add into your old school game.
- There's still several major plot holes that the dungeon master can exploit for their own version of " The Golden Voyage of Sinbad" adventure elements into it.
- The fountain's gifts are not the only legacy of Lemuria. There are several other hints in the begining of the " The Golden Voyage of Sinbad". These can be used to fuel a mini campaign of sorts.
- " The Golden Voyage of Sinbad" has at its heart the clearest representation of law vs chaos in the quest for the Fountain of Destiny
Dark magic here takes its full price as the 'demons of darkness' give their results but suck the life from Tom Baker as Prince Koura. And Tom Baker as Prince Koura steals every single scene that he's in. This is classic Tom Baker on tap & one of his best scene stealing peformances. But more then that Prince Koura is a villain with a hard domain stealing objective. Even though its not stated he's a perfect foil for a game of Adventurer, Conqeuror, King rpg. He's got the three 'M's that an NPC needs motive, magick, & madness in spades!
And the cast of characters in "The Golden Voyage of Sinbad" are the perfect example of a Dungeons & Dragons party of adventurers. They don't meet in a tavern but instead have both the framing device of Sinbad ship & his destiny to use as a campaign frame up.
To me one of the best of the Sinbad series of films & a gem of Sevenities classic fantasy besides being a favorite in the Sinbad movies. Sure the entire film of 'The Golden Voyage of Sinbad' was born from the ashes of Western culture's Orientalism phase of history & adventure. But its a classic for reasons because at its core its one of the films that great campaigns are made from. "The Golden Voyage of Sinbad" ends but with the promise that just out of frame is the perfect opportunity for your own adventurers to take up the reigns of the 'grand adventure'.
Hendrik van Minderhout (1632-1696) - A Harbour Scene with Oriental Figures